Summary: Slaughterhouse-Five

Com­ing into exis­tence in 1922, Bil­ly Pil­grim leads a some­what aver­age life in Ili­um, New York, attend­ing night school for eye care stud­ies and even­tu­al­ly get­ting draft­ed into World War II. Fol­low­ing the trag­ic hunt­ing mishap involv­ing his father, Bil­ly is sent over­seas and thrown into the noto­ri­ous Bat­tle of the Bulge in Bel­gium, where he is tak­en cap­tive by the Ger­mans. Amid the tur­moil, he encoun­ters his first instance of time-shift­ing, wit­ness­ing his entire exis­tence unfold­ing simul­ta­ne­ous­ly. Sub­se­quent­ly, he is shift­ed to a pris­on­er-of-war camp in Ger­many, and lat­er to the urban cen­ter of Dres­den, where he sur­vives a grue­some bom­bard­ment by hid­ing in a refrig­er­a­tion cham­ber of a for­mer butcherhouse.

After the war, Bil­ly goes back to his home­town, fin­ish­es his eye care edu­ca­tion, and ties the knot with Valen­cia Merble, a pros­per­ous founder’s daugh­ter of an eye care school. Despite seem­ing­ly attain­ing the Amer­i­can ide­al of pros­per­i­ty and a fam­i­ly, he grap­ples with war rec­ol­lec­tions trig­gered by ordi­nary occur­rences in his life, like a vocal quar­tet at his eigh­teenth wed­ding com­mem­o­ra­tion. Inter­est­ing­ly, Bil­ly asserts that he was kid­napped by extrater­res­tri­al beings, labeled Tralfamado­ri­ans, who trans­port him to their home plan­et and intro­duce him to fresh notions of time and existence.

After his home­com­ing, Bil­ly with­holds his alien occur­rences until a flight mishap in 1968 leaves him as the sole sur­vivor amidst his eye care col­leagues. Fol­low­ing a cere­bral oper­a­tion and the unin­tend­ed fatal inci­dent of car­bon monox­ide poi­son­ing of his wife, Bil­ly sens­es an urge to reveal his extra­or­di­nary expe­ri­ences to the pub­lic. He appears on a radio dis­cus­sion pro­gram, writes cor­re­spon­dence, and even pre­dicts his own demise in 1976, alleg­ing that he will be assas­si­nat­ed at the request of a wartime asso­ciate. Bil­ly remains res­olute in his con­vic­tion, stat­ing that he will only under­go the drone of demise and then time-shift to anoth­er junc­ture in his existence.

Slaughterhouse-Five

Ama­zon

Chapter 1

Von­negut, backed by the Guggen­heim Foun­da­tion, and his com­rade from the war, Bern­hard V. O’Hare, returned to Dres­den in 1967. While jour­ney­ing in a taxi, they engage in a dis­cus­sion with the chauf­feur, Ger­hard Müller, regard­ing life under com­mu­nism. Von­negut ded­i­cates his cre­ation Butcher­house-Five to Müller and Mary, O’Hare’s spouse. After­wards, Müller dis­patch­es a tran­quil Christ­mas card to O’Hare. Von­negut grap­ples with nar­rat­ing about Dres­den for 23 years post his wartime expe­ri­ence. He devis­es a vibrant schemat­ic of the nar­ra­tive on the wall­pa­per, with every char­ac­ter and episode depict­ed in vary­ing hues. Despite his endeav­ors, cap­tur­ing the enor­mi­ty of the destruc­tion proves chal­leng­ing. It’s not advan­ta­geous that he is anti-war, mus­ing on a remark that script­ing an anti-war tome would be as inef­fec­tive as script­ing a tome against the motion of glac­i­ers. He rem­i­nisces on his post-war life, pur­su­ing anthro­pol­o­gy at the Uni­ver­si­ty of Chica­go, labor­ing as a law enforce­ment chro­nol­o­gist, and exe­cut­ing pub­lic rela­tions for Gen­er­al Elec­tric. He’s tak­en aback by the dearth of knowl­edge con­cern­ing Dres­den’s ruina­tion. Seek­ing insights from the U.S. Air Force, he dis­cov­ers the occur­rence is still kept con­fi­den­tial. In 1964, Von­negut, along­side his daugh­ter and her accom­plice, paid a vis­it to O’Hare in Penn­syl­va­nia. He encoun­ters Mary, who artic­u­lates qualms about the por­tray­al of the sol­diers as cham­pi­ons, con­tend­ing they were more akin to “infants”. Von­negut assures her he won’t glo­ri­fy com­bat and opts to chris­ten his cre­ation The Children’s Cru­sade. He sub­se­quent­ly delves deep­er into the Children’s Cru­sade and the ear­li­er bomb­ing of Dres­den in 1760. While instruct­ing in Iowa, Von­negut clinch­es a pact to pen three times, with Butcher­house-Five being the pre­mier. He ascribes its terse and dis­or­dered demeanor to the futil­i­ty of cogent­ly dis­cussing a car­nage. En route to Dres­den, Von­negut lodges a night in Boston where his per­cep­tion of time gets dis­tort­ed. Perus­ing about the oblit­er­a­tion of Sodom and Gomor­rah, he iden­ti­fies with Lot’s wife—punished for cast­ing a glance back at the con­fla­gra­tion cities. He views his cre­ation as an inevitable fias­co and resolves not to linger on the past.

Chapter 2

The nar­ra­tive divulges that “Bil­ly Pil­grim has come unstuck in time,” voy­ag­ing inter­mit­tent­ly through his lifes­pan. Orig­i­nat­ing in 1922 in Ili­um, New York, Bil­ly is an uncom­mon, frail young­ster who sub­se­quent­ly evolves into a pros­per­ous eye spe­cial­ist after endur­ing mil­i­tary duty in Ger­many and a psy­cho­log­i­cal break­down. In 1968, Bil­ly under­goes an air dis­as­ter in Ver­mont, while his wife suc­cumbs to an unas­so­ci­at­ed inci­dent. After recu­per­a­tion, Bil­ly dis­cours­es about his 1967 inter­stel­lar abduc­tion on a radio broad­cast in New York. Upon learn­ing of this account, Bil­ly’s grown-up daugh­ter, Bar­bara, frets about his men­tal well-being and escorts him back home. Soon after, Bil­ly drafts a mis­sive regard­ing the extrater­res­tri­al beings to a local pub­li­ca­tion. Imme­di­ate­ly upon the pub­li­ca­tion of this mis­sive, Bil­ly embarks on craft­ing anoth­er con­cern­ing his learn­ings from the Tralfamadore aliens. He antic­i­pates that this cor­re­spon­dence will bring solace to many by elu­ci­dat­ing the gen­uine essence of time. How­ev­er, Bar­bara only ampli­fies her dis­tress with his actions. The account then regress­es to Bil­ly’s mil­i­tary days. It nar­rates his bemused odyssey behind ene­my lines fol­low­ing the calami­tous Bat­tle of the Bulge in WWII. Accom­pa­nied by three oth­er Amer­i­can sol­diers, Bil­ly is recur­rent­ly res­cued by Roland Weary, a man avid to be a hero. Bil­ly’s maid­en time-shift­ing tran­spires as he reclines against a tree in a Lux­em­bourg for­est, feel­ing despair­ing and aban­doned by the rest. He expe­ri­ences the extremes of his sub­sis­tence, from his fatal­i­ty and gen­e­sis to a juve­nes­cence rec­ol­lec­tion of being coerced to swim. Bil­ly sub­se­quent­ly leaps to 1965, aged forty-one, vis­it­ing his moth­er in a retire­ment facil­i­ty. A blink whisks him to a 1958 gala for his son, Robert, fol­lowed by anoth­er blink to a 1961 soirée where he’s ine­bri­at­ed­ly unfaith­ful. From there, he is brusque­ly trans­port­ed back to the wartime sce­nario, roused by a shak­ing Roland Weary. Weary and Bil­ly are desert­ed by the two scouts, trig­ger­ing Weary’s ire as he’s always been aban­doned. He per­ceives them as the Three Mus­ke­teers and imputes Bil­ly for their dis­band­ment. Bil­ly is sud­den­ly trans­port­ed to a 1957 ora­tion he’s deliv­er­ing as the head of the Ili­um Lions Club, before being dragged back to the war as he and Weary are seized by Germans.

Chapter 3

Bil­ly Pil­grim pos­sessed no domin­ion over the past, present, or future. Ger­man irreg­u­lars ensnared him and Weary, appro­pri­at­ing their belong­ings, includ­ing a rib­ald illus­tra­tion in Weary’s pos­ses­sions. Reclin­ing in the snow, Bil­ly espies a reflec­tion of Adam and Eve in the offi­cer’s boots. Weary exchanges his boots for the young Ger­man sol­dier’s wood­en footwear. They are ush­ered to a domi­cile brim­ming with detainees. Slip­ping into uncon­scious­ness, Bil­ly awak­ens in 1967 amidst an ocu­lar exam­i­na­tion. Late­ly, he’s tak­en to nap­ping at work. Post his patient, he endeav­ors to engage with an eye care peri­od­i­cal to no avail. Bil­ly is revert­ed to a cap­tive sta­tus once he shuts his eyes. He is roused and com­pelled to relo­cate. He melds into a stream of march­ing detainees. A Teu­ton­ic pho­tog­ra­ph­er orches­trates a cap­ture tableau of Bil­ly sur­ren­der­ing. He laps­es back to 1967, en route to a Lions Club gath­er­ing through a tumul­tuous ghet­to and a razed local­i­ty in Ili­um. The des­o­la­tion nudges mem­o­ries of post-Dres­den incen­di­ary bomb­ing. Bil­ly is afflu­ent, cruis­ing in a Cadil­lac adorned with John Birch Soci­ety decals. His son Robert is sta­tioned in Viet­nam as a Green Beret, and his daugh­ter Bar­bara is set to wed immi­nent­ly. At the Lions Club, a marine major expounds on bomb­ings in North Viet­nam. Bil­ly is uncon­cerned. A sign on his office wall rein­forces him in such detach­ment: “May the divine bestow upon me the calm­ness to embrace the things I can­not alter, brav­ery to mod­i­fy the things I can, and insight per­pet­u­al­ly to dif­fer­en­ti­ate.” Post-con­fer­ence, Bil­ly heads home. He weeps while lying down for a rest. A bed mas­sager called “Mag­ic Fin­gers,” pur­chased to aid his sleep, vibrates while he cries. He’s trans­port­ed back to Lux­em­bourg once he shuts his eyes, march­ing. Fatigue is in front, his feet sore from the wood­en shoes. They advance into Ger­many and reach a rail­way depot. A colonel, known as “Wild Bob,” inter­ro­gates Bil­ly if he belongs to his unit. The colonel requests Bil­ly to locate him in Cody, Wyoming. The sol­diers, cat­e­go­rized by hier­ar­chy and con­gest­ed in box­cars, have to switch between sleep­ing and stand­ing. They uti­lize a hel­met as a toi­let. Bil­ly is sep­a­rat­ed from Weary. His train is motion­less for two days. Once the train ini­ti­ates move­ment, Bil­ly time trav­els to the evening when the Tralfamado­ri­ans seize him.

Chapter 4

Bil­ly finds him­self unable to slum­ber on his daugh­ter’s wed­ding night, know­ing he will soon be abduct­ed by the Tralfamado­ri­ans. He wan­ders through the moon­lit house, answer­ing an incor­rect call from an ine­bri­at­ed stranger. He then uncorks a part­ly con­sumed cham­pagne bot­tle and gazes at a late-night World War II doc­u­men­tary. Tem­po­ral­ly con­fused, Bil­ly envi­sions the war in reverse sequence, with planes retract­ing their bombs, firearms draw­ing back bul­lets, and arma­ments being tak­en apart and buried, harm­less. In his altered state, human­i­ty’s his­to­ry reverts to Adam and Eve. Antic­i­pat­ing the extrater­res­tri­al space­craft, Bil­ly ven­tures into his back­yard. The saucer, sig­naled by a melo­di­ous noise resem­bling an owl’s hoot, lands. Once inside, Bil­ly ques­tions his selec­tion, which the Tralfamado­ri­ans dis­miss as a typ­i­cal human response. They clar­i­fy that the moment sim­ply exists, with all beings ensnared in it. Sub­se­quent­ly, Bil­ly is anes­thetized and pro­pelled through time due to the space­ship’s accel­er­a­tion. He finds him­self in a box­car cross­ing Ger­many. His sleep is agi­tat­ed, caus­ing oth­ers to refrain from shar­ing their sleep­ing shifts with him. By the ninth day of the jour­ney, mor­tal­i­ty begins claim­ing some of the cap­tives. Roland Weary, in a dif­fer­ent car, per­ish­es after accus­ing Bil­ly of his demise to every­one present. A car thief, Paul Laz­zaro, vows vengeance on Bil­ly for Weary’s death. Upon reach­ing a deten­tion camp on the tenth night, the detainees are giv­en coats and show­ers, and their gar­ments are deliv­ered. Among them is Edgar Der­by, an old­er edu­ca­tor. As the show­er water cas­cades, Bil­ly tra­vers­es back to his infan­cy and his mid­dle-aged years before return­ing to the space­craft. He inquires about his where­abouts and the pur­pose of his pres­ence. The Tralfamado­ri­an reply empha­sizes the pre­arranged nature of time and exis­tence, point­ing out that only on Earth is there a con­cept of autonomy.

Chapter 5

Bil­ly, in his Tralfamado­ri­an zoo enclo­sure, perus­es Val­ley of the Dolls, the soli­tary ter­res­tri­al tome avail­able. He dis­cov­ers that Tralfamado­ri­an lit­er­a­ture con­sists of cryp­tic, telegram-style sym­bols divid­ed by stars. Bil­ly’s rec­ol­lec­tions bounce between his child­hood jour­ney to the Amer­i­can West and the Ger­man detainee camp. Post-show­er and reg­is­tra­tion in the camp, the Amer­i­can cap­tives join British offi­cers with sur­plus pro­vi­sions. The Brits ini­tial­ly receive the Amer­i­cans with a ban­quet but swift­ly become dis­mayed by their state. Amidst a Cin­derel­la per­for­mance, Bil­ly’s hys­ter­i­cal laugh­ter lands him in the cam­p’s “infir­mary”. He awak­ens sedat­ed in a New York vet­er­ans’ psy­cho­log­i­cal ward in 1948, where he had vol­un­tar­i­ly admit­ted him­self dur­ing his final year of optom­e­try school, find­ing life aim­less post-war. His ward-mate, ex-cap­tain Eliot Rose­wa­ter, acquaints Bil­ly with the sci-fi works of Kil­go­re Trout. Bil­ly’s moth­er pays a vis­it, caus­ing him to take cov­er under a blan­ket. Back in Ger­many, Edgar Der­by watch­es over the ail­ing Bil­ly, elic­it­ing mem­o­ries of Der­by’s impend­ing exe­cu­tion. Bil­ly men­tal­ly returns to the vet­er­ans’ hos­pi­tal, where he con­vers­es with his betrothed, Valen­cia Merble, and Rose­wa­ter about Kil­go­re Trout. Bil­ly finds him­self back on Tralfamadore, in his Sears Roe­buck-fur­nished dome. The Tralfamado­ri­ans unveil sev­en human gen­ders, five of which are imper­cep­ti­ble to Bil­ly. They expound their moments of con­flict and har­mo­ny, and that the cos­mos’s inevitable demise will be caused by a heed­less pilot. Bil­ly’s thoughts leap to his nup­tial evening in Mass­a­chu­setts, where post-coital dia­logue with Valen­cia about the war pro­pels him back to the hos­pi­tal bed in the prison camp. He encoun­ters the vio­lent­ly sick Amer­i­can sol­diers in the latrine, one being Kurt Von­negut. The sub­se­quent day, Paul Laz­zaro, knocked uncon­scious after a theft attempt, mate­ri­al­izes at the hos­pi­tal. A Ger­man major recites a cri­tique of Amer­i­can sol­diers by Howard W. Camp­bell, Jr., an Amer­i­can Nazi pro­pa­gan­dist. Bil­ly awak­ens in 1968, work­ing on his mis­sive to the news­pa­per. His daugh­ter, Bar­bara, admon­ish­es him, inten­si­fies the warmth, and departs. Bil­ly’s mind shifts again to Tralfamadore, where actress Mon­tana Wild­hack, brought to mate with Bil­ly, grad­u­al­ly warms up to him. Emerg­ing from a rever­ie about Mon­tana, Bil­ly encoun­ters a boy whose father per­ished in Viet­nam. He imparts Tralfamado­ri­an wis­dom, alarm­ing the boy’s moth­er who deems Bil­ly eccen­tric. Bil­ly’s daugh­ter is sum­moned to escort him home.

Chapter 6

Bil­ly awak­ens in his detainee bed after a night filled with mor­phine, just as he and his fel­low Amer­i­can cap­tives are to be relo­cat­ed to Dres­den. He unearths an ener­gy-emit­ting object in his coat lin­ing, which he dis­cerns through a tele­path­ic mes­sage that can work mir­a­cles if left undis­turbed. Sub­se­quent­ly, Bil­ly shares the com­pa­ny of Edgar Der­by and Paul Laz­zaro. The Eng­lish offi­cers toil on a new latrine, leav­ing the for­mer one for the ail­ing Amer­i­cans. One Eng­lish­man pre­vi­ous­ly assault­ed Laz­zaro, who now vows to have him assas­si­nat­ed post-war. Laz­zaro, rel­ish­ing in reprisal, recounts a sadis­tic tale of assist­ing a dog in meet­ing its demise in agony after it bit him. He fur­ther acquaints Bil­ly with Roland Weary’s dying wish and cau­tions him about respond­ing to door­bells after the war. Bil­ly already fore­sees the des­tiny await­ing him — Laz­zaro, now aged and deranged, ful­fill­ing his dead­ly vow. He rec­og­nizes this as he has repet­i­tive­ly jour­neyed through time to this junc­ture. By then, he per­ceives him­self as a mes­sian­ic fig­ure, paci­fy­ing a large assem­bly by dis­sem­i­nat­ing his com­pre­hen­sion of the last­ing nature of moments and the insignif­i­cance of death. He presents this ora­tion in a domed base­ball park in 1976, after a Chi­nese hydro­gen bomb assault on Chica­go and the divi­sion of the Unit­ed States into twen­ty nations. Moments after his speech, and after proph­esy­ing his own demise, he is ter­mi­nat­ed by a laser gun. Bil­ly then rean­i­mates in ear­ly 1945, hav­ing doc­u­ment­ed these events on a cas­sette kept in a bank vault. Fol­low­ing a hygiene lec­ture by an Eng­lish­man and the elec­tion of Edgar Der­by as chief, the Amer­i­cans are trans­port­ed to Dres­den. Bil­ly, adorned in a fur-satin coat, snip­pets of fab­ric, and sil­ver boots from a Cin­derel­la pro­duc­tion, resem­bles an absurd war jester. Upon arrival, they mar­vel at the beau­ti­ful city, which Von­negut, also present, equates to ‘Oz’. They are mon­i­tored by eight ragged Ger­man sol­diers and led to a for­mer slaugh­ter­house, their new lodg­ing. Dres­den, most­ly unscathed by war and teem­ing with hus­tle and bus­tle, amus­es its inhab­i­tants with the parade of pris­on­ers, except one who is affront­ed by Bil­ly’s pre­pos­ter­ous appear­ance and osten­si­ble deri­sion of the conflict.

Chapter 7

Bil­ly, approx­i­mate­ly twen­ty-five years past his expe­ri­ence in Dres­den, boards a plane head­ed to a con­fer­ence in Mon­tre­al with fel­low eye­sight experts, includ­ing his father-in-law. As he departs, his wife, Valen­cia, bids him farewell while enjoy­ing a choco­late bar. The nar­ra­tor unveils the Tralfamado­ri­ans’ per­spec­tive on Valen­cia, her father, and all liv­ing beings as mere automa­tons. Bil­ly antic­i­pates the impend­ing plane crash. The group of optometrists, known as the Four-eyed Bas­tards, enter­tain the pas­sen­gers with rib­ald tunes, one of which trig­gers a rec­ol­lec­tion in Bil­ly of a grue­some pub­lic exe­cu­tion he wit­nessed in Dres­den involv­ing a Pol­ish man and a Ger­man woman. Bil­ly nods off and is trans­port­ed back to the year 1944. He awak­ens to Roland Weary urg­ing the Three Mus­ke­teers to aban­don him. The air­craft ulti­mate­ly crash­es into Sug­ar­bush Moun­tain in Ver­mont, leav­ing Bil­ly as the lone sur­vivor with a frac­tured skull. Aus­tri­an ski instruc­tors, cloaked in black ski masks, come to his aid. Whis­per­ing “Schlachthof-fünf,” the Ger­man term for “Slaugh­ter­house-Five” that he picked up in Dres­den, Bil­ly is sled down the moun­tain by the instruc­tors. A dis­tin­guished neu­ro­sur­geon per­forms surgery on him, ren­der­ing him uncon­scious for a cou­ple of days. Dur­ing his recov­ery, Bil­ly has dreams of time trav­el, one of which trans­ports him back to his ini­tial night at the slaugh­ter­house in Dres­den. Along­side Edgar Der­by and Ger­man guard Wern­er Gluck, he acci­den­tal­ly stum­bles upon a room filled with unclothed females show­er­ing, an expe­ri­ence that marks the first view­ing of naked women for Bil­ly and Gluck. They even­tu­al­ly find their way to the prison kitchen, where the cook remarks on their piti­ful state, declar­ing “All the real sol­diers are dead.” Anoth­er dream fol­low­ing the plane crash takes Bil­ly back to Dres­den, this time in a fac­to­ry pro­duc­ing malt syrup. The starv­ing pris­on­ers of war secret­ly con­sume the syrup, des­ig­nat­ed for preg­nant women. On his sec­ond day, Bil­ly tastes the syrup, and his ema­ci­at­ed body responds with “rav­en­ous grat­i­tude.” He shares the syrup with Edgar Der­by, who is moved to tears by the flavor.

Chapter 8

The Amer­i­can Nazi spokesper­son, Howard W. Camp­bell, Jr., endeav­ors to enlist the under­nour­ished cap­tives at the slaugh­ter­house into his Free Amer­i­can Corps, promis­ing sus­te­nance and a return to their home­land after the war. Edgar Der­by, how­ev­er, coura­geous­ly oppos­es Camp­bel­l’s propo­si­tion, uphold­ing the prin­ci­ples of free­dom and Russ­ian-Amer­i­can cama­raderie. A sud­den air-raid alarm inter­rupts their con­fronta­tion, though it turns out to be a false alarm. The nar­ra­tor dis­clos­es the immi­nent destruc­tion of Dres­den. Bil­ly drifts off to sleep in the meat lock­er and is trans­port­ed to a con­fronta­tion with his daugh­ter, Bar­bara. She attrib­ut­es Billy’s pecu­liar beliefs regard­ing Tralfamado­ri­ans to Kil­go­re Trout, whom Bil­ly met in his home­town of Ili­um. Trout, a super­vi­sor for news­pa­per deliv­ery boys at the Ili­um Gazette, is sur­prised that Bil­ly has perused his works. Bil­ly invites Trout to his wed­ding anniver­sary, where Trout unin­ten­tion­al­ly star­tles Mag­gie White, a naive and charm­ing guest, with his cau­tion­ary tales about the haz­ards of pub­lish­ing fic­tion­al nar­ra­tives. A bar­ber­shop quar­tet, the Four-eyed Bas­tards, deliv­ers a nos­tal­gic melody, caus­ing vis­i­ble dis­tress to Bil­ly. Trout deduces that Bil­ly has glimpsed through a “time win­dow.” The quartet’s per­for­mance affects Bil­ly to such an extent that he exits the room abrupt­ly, inad­ver­tent­ly barg­ing in on his son in the bath­room before reclin­ing, endeav­or­ing to com­pre­hend the rea­son behind his per­tur­ba­tion. Even­tu­al­ly, he rec­ol­lects the dev­as­ta­tion of Dres­den, where he and oth­er Amer­i­can cap­tives and their war­dens endured the bomb­ing in a meat lock­er, only to wit­ness the oblit­er­a­tion of Dres­den. Bil­ly is trans­port­ed to Tralfamadore, where Mon­tana Wild­hack, now six months preg­nant, requests a nar­ra­tive. He nar­rates the tale of Dres­den’s destruc­tion and its after­math. In the rav­aged city, the cap­tives and their war­dens dis­cov­er no sur­vivors as they scav­enge for sus­te­nance. They even­tu­al­ly find an unaf­fect­ed sub­ur­ban area where a visu­al­ly impaired innkeep­er and his fam­i­ly offer them shel­ter for the night. As the detainees set­tle in, the innkeep­er wish­es them a rest­ful night in Germany.

Chapter 9

In a state of pan­ic, Valen­cia, Bil­ly’s spouse, dri­ves to the hos­pi­tal where Bil­ly is recu­per­at­ing from the plane crash. En route, she col­lides with anoth­er vehi­cle but leaves the scene with­out address­ing the dam­age. Inhal­ing lethal lev­els of car­bon monox­ide from the faulty exhaust sys­tem, she suc­cumbs short­ly after reach­ing the hos­pi­tal. Bil­ly, unaware and engrossed in one of his tem­po­ral voy­ages, remains obliv­i­ous to Valen­ci­a’s fate. Beside him, Bertram Copeland Rum­fo­ord, an arro­gant Har­vard his­to­ry pro­fes­sor, rests recu­per­at­ing from a ski­ing mishap. As the Air Force his­to­ri­an, Rum­fo­ord is in the process of com­pil­ing a con­cise his­to­ry of the U.S. Army Air Corps dur­ing World War II, includ­ing the con­tentious bomb­ing of Dres­den. Upon regain­ing con­scious­ness, Bil­ly appears comatose, yet inter­nal­ly, he is plot­ting to divulge his encoun­ters with Tralfamadore and illu­mi­nate the world regard­ing the true essence of time. He dis­clos­es to Rum­fo­ord his pres­ence dur­ing the Dres­den bomb­ing, but Rum­fo­ord dis­miss­es his account. Bil­ly then slips back in time to Dres­den right before the war’s end. As the Rus­sians were near, many Ger­mans evac­u­at­ed the area. Bil­ly and their fel­low cap­tives chance upon a wag­on, which they fill with food and memen­tos. Unaware of the dire state of the hors­es pulling the wag­on, he is awak­ened by a Ger­man cou­ple who high­light the suf­fer­ing of the ani­mals, mov­ing Bil­ly to tears. Back at the hos­pi­tal, Rum­fo­ord inter­ro­gates Bil­ly about Dres­den. Upon the arrival of his daugh­ter Bar­bara, she escorts him home and hires a full-time care­giv­er. Feel­ing com­pelled to share his mes­sage, Bil­ly sneaks out and heads to New York City to impart his expe­ri­ences from Tralfamadore. In the city, Bil­ly finds him­self in Times Square, procur­ing four books by Kil­go­re Trout from an adult store. While there, he catch­es sight of a mag­a­zine head­line fea­tur­ing Mon­tana Wild­hack and a film por­tray­ing a young Mon­tana. Pos­ing as a jour­nal­ist, Bil­ly secures a spot on a radio talk show, expound­ing on Tralfamadore, Mon­tana Wild­hack, and his per­cep­tion of time before being escort­ed out. Upon his return to the hotel, Bil­ly drifts off to sleep, find­ing him­self back on Tralfamadore where Mon­tana is tend­ing to their off­spring. She notices Bil­ly’s time-trav­el­ing, a phe­nom­e­non also inscribed on a sil­ver lock­et she wears, engraved with the Seren­i­ty Prayer, akin to a plaque in Bil­ly’s optom­e­try office.

Chapter 10

The year is 1968, marked by the trag­ic assas­si­na­tions of promi­nent indi­vid­u­als Robert Kennedy and Mar­tin Luther King, Jr., with head­lines dom­i­nat­ed by news of Viet­nam War casu­al­ties. Bil­ly notes the Tralfamado­ri­ans’ fas­ci­na­tion with Darwin’s the­o­ry over reli­gious con­vic­tions and the notion that death is a nat­ur­al, indis­pens­able process. This theme is explored in Kil­go­re Trout’s nov­el, The Big Board, where extrater­res­tri­als inter­ro­gate a human cap­tive about Dar­win­ism and golf. Von­negut express­es uncer­tain­ty regard­ing the Tralfamado­ri­ans’ premise of per­pet­u­al life. Nev­er­the­less, he cher­ish­es the pleas­ant moments he has expe­ri­enced. He recounts a mem­o­rable episode, return­ing to Dres­den with his war com­rade O’Hare. They rel­ish sim­ple plea­sures like sala­mi sand­wich­es and white wine dur­ing their flight. O’Hare presents a book pre­dict­ing a glob­al pop­u­lace of sev­en bil­lion by the year 2000, elic­it­ing Von­negut’s wry remark, “I sup­pose they will all want dig­ni­ty.” Con­cur­rent­ly, Bil­ly finds him­self back in Dres­den post-war, engaged in the grim task of recov­er­ing bod­ies. Von­negut and O’Hare assist in unearthing the numer­ous casu­al­ties of war, labeled as “corpse mines.” The death toll is so vast that bod­ies decom­pose faster than they can be retrieved, neces­si­tat­ing a somber, expe­dit­ed cre­ma­tion process employ­ing flamethrow­ers. Amid the melan­cholic recov­ery efforts, Edgar Der­by is appre­hend­ed for the theft of a teapot and is exe­cut­ed for loot­ing on Ger­man orders. With the onset of spring, the Ger­mans with­draw, leav­ing behind a war-rav­aged Dres­den. As the war draws to a close, nature reclaims its domain, and Bil­ly stum­bles upon a wag­on drawn by hors­es. The twit­ter of a bird, “Poo-tee-weet?” sug­gests an air of nor­mal­cy grad­u­al­ly returning.

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